In an open embrace, the entrance serves as a whitewashed canvas, with the signage being a thorough naturale. Simultaneously, the entryway offers a glimpse into the gallery’s inner world—an understated prelude of what lies within. The curatorial theme is communicated through a descriptive wall that adapts to changing events. Elevating this wall feature is the statement console distinguished by Naja legs, a signature detail unique to KYNKYNY, crowned by a marble top handcrafted with finesse, assuming an organic form.

The overarching concept behind the spatial design aimed to create zones based on their intended functionality: the public display area, the semi-public discussion room, and the private back office. The former open plan has been transformed into a walkthrough gallery, with partitions strategically aligned with the ceiling’s crossbeam and the columns concealed within the flush-fitted partitions.

Within this art haven, gypsum partitions disguised as walls transform into pristine canvases to showcase the art. At their base, a subtle recessed skirting imparts an impression of a floating wall, a hidden detail accentuating the sense of space. While white prevails, the concrete micro-topping unifies the seamless floor as a single entity. But what truly illuminates this space is the thoughtfully planned lighting design: track lights tailored proportionate to the partition length, maintaining visual harmony, while wall washers, picture lights, and focus lights are set at different beam angles to highlight the art and optimize visibility for an enhanced viewing experience.

In the corner, a discussion room offers a private setting for client meetings. Adjacent, the storeroom houses art and facilitates packaging, its visibility concealed from the public eye.

Accessing the back office is a journey through the gallery’s central axis, where a pocket door leads to a linear vestibule. Inside, one’s gaze is immediately drawn to the iconic “Girl with a Pearl Earring” on the right, serving as a signpost to the women’s washroom, with a corresponding artistic reference guiding men to their facilities.

As you walk along the corridor, a sequence of spaces unfolds. It begins with the pantry, where vibrant green shutters enliven the otherwise subdued wooden surroundings. Followed by the workstation area, characterized by a wall-mounted desk with distinctive Naja legs and accompanying storage units.

Approaching the MD’s cabin, an intriguing door handle of intricately carved woodwork arouses curiosity, prompting one to ponder its symbolism. Upon closer inspection, the etching of the gallery’s name is revealed, a small yet significant detail. The door opens to unveil a grid of cubes—a shelved wall with an open centre to prevent feeling enclosed in what is already a compact space.

Lastly, we embrace our contemporary take on the gallery as an embodiment of a clean design in modern minimalism, where white abounds, exuding timeless elegance. Here, art is paramount, transcending mere design.